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b’nESSAY #1 xe2x80x93 HOW TO…xc2xa0WHERE: POST TO BLACKBOARD IN SUBMISSIONS ESSAYS 1-3/ESSAY 1 & BRING A HARD COPY TO CLASSLENGTH: 750 xe2x80x93 1000 WORDSxc2xa0ASSIGNMENT:xc2xa0Following Lorrie Moorexe2x80x99s two xe2x80x9cHow toxe2x80x9d examples from Self-help, complete your version of xe2x80x9cHow to _____xe2x80x9dxc2xa0Use the second-person point of view (i.e., xe2x80x9cYouxe2x80x9d) as an instructional guide or a xe2x80x9cHow to…xe2x80x9d manual for some aspect of yourself. xc2xa0 Focusonasingleaspectofyourselforasinglerolethatyouplayinthisworld,ratherthan trying to include everything about you or every role that you play. The aim is to ostensibly and superficially present one view while sneaking in a more comprehensive and complex view . xc2xa0 Beascreativeasyoulike.Youdonothavetofocusonthebigrolesthatyouplay,e.g.,asa SCAD student (please avoid this specific approach anyway). Often, the smaller, more distinctive roles you play are more interesting. xc2xa0 Aim to reveal something larger about yourself and the world around you. The xe2x80x9cHow to…xe2x80x9d device is just thatxe2x80x94a device. What you reveal within that device is your story. Perhaps you are a champion chili grower and have won many state fair championships. You might write xe2x80x9cHow to Become a Champion Chili Grower,xe2x80x9d while at the same time revealing an odd and rambling family history in small town Georgia. xc2xa0 The singularity and power of your story will be in the concrete details. This is about you and only you, not some general you. We should understand that the details apply to your story specifically. Therefore, avoid generalizations and focus on concrete and sensory details. xc2xa0 Donxe2x80x99t be afraid to make the reader laugh or cry. Be funny. Be sad. Whatever emotions you evoke, engage us and create a connection. xc2xa0 As always in this class: consider this to be public writing that you will share with the class. If you donxe2x80x99t wish to share your story, then write about something else. xc2xa0 ‘